Cerronwe: November 2013

Kamis, 28 November 2013

[M913.Ebook] PDF Ebook Leading Pharmaceutical Operational Excellence: Outstanding Practices and CasesFrom Springer

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Achieving operational excellence is a challenge for the pharmaceutical industry, with many companies setting successful examples time and again. This book presents such leading practices for managing operational excellence throughout the pharmaceutical industry. Based on the St.Gallen OPEX Model the authors describe the current status of OPEX and the future challenges that have to be dealt with. The ample theoretical background is complemented hand-in-hand by case studies contributed by authors from leading pharmaceutical companies.

Sales Rank: #1753341 in Books
Published on: 2013-11-27
Original language: English
Number of items: 1
Dimensions: 9.21" h x 1.19" w x 6.14" l, 2.08 pounds
Binding: Hardcover
541 pages

From the Back Cover
Achieving operational excellence is a challenge for the pharmaceutical industry, with many companies setting successful examples time and again. This book presents such leading practices for managing operational excellence throughout the pharmaceutical industry. Based on the St.Gallen OPEX Model the authors describe the current status of OPEX and the future challenges that have to be dealt with. The ample theoretical background is complemented hand-in-hand by case studies contributed by authors from leading pharmaceutical companies.

About the Author

Thomas Friedli

Thomas Friedli is Managing Director at the Chair of Production Management, and Vice Director, Institute of Technology Management, University of St.Gallen (Switzerland). Thomas Friedli’s main research focus is the management of manufacturing enterprises. His area of expertise is in operational excellence in the pharmaceutical industry, collaboration management, management of industrial services and management of global production.

In 2004, Thomas habilitated and became Adjunct Professor in St.Gallen. His team of 12 postgraduate students develops new management solutions for manufacturing companies. The Chair is largely financed through external funds, while most of the research projects are industrial projects. In 2007 he became an associate member to the International Academy for Quality (IAQ) and joined the SAQ (Swiss Association for Quality and Management Systems) as an advisory council in 2009. Since 2010, he is member of the board of the Swiss Institute of Service Sciences (SISS).

Thomas is teaching in several executive programs in St.Gallen, Fribourg, Dornbirn, Salzburg and Aachen; moreover, he is visiting lecturer at the Business School of Bordeaux. In fall 2008, he spent several weeks as Adjunct Associate Professor at the Purdue University in West Lafayette, Indiana, USA. Since 2011, Thomas is Senior Lecturer of the Executive MBA program in St.Gallen and since 2012 also Senior Lecturer of the St.Gallen full time MBA program.

Prabir Basu

Prabir Basu is an independent consultant advising on pharmaceutical manufacturing and cGMP issues. From 2005 till June, 2013, Prabir was the Executive Director of the National Institute for Pharmaceutical Technology and Education (NIPTE) which is currently a non-profit organization supported by 13 leading universities in the U.S. NIPTE’s goal is to address long-term fundamental research and education on the science of pharmaceutical development and manufacturing. As the Executive Director of NIPTE, Prabir built a strong relationship with the U.S. FDA and secured funding from the FDA for research and education programs to modernize drug manufacturing. Working with the U.S. FDA, Prabir was also able to secure a U01 Grant for NIPTE in 2011 worth up to $35 million over 5 years to improve drug manufacturing standards.

From 2004 to 2010, along with his role as Executive Director, NITPE, Prabir was also the Managing Director of the Pharmaceutical Technology Education Center at Purdue University’s Discovery Park. In this role, Prabir, along with colleagues at Purdue and scientists from the industry, organized and offered various training courses on cGMP, Pharmaceutical Development and Manufacturing.

Prabir, along with his colleagues at Purdue University also founded NIPTE at Purdue in 2005. Prior to joining Purdue University, Prabir worked in the pharmaceutical industry (Pfizer, Pharmacia and Searle) for over 20 years in various capacities in research, development and manufacturing. During that period, Prabir had broad-ranging global senior management responsibilities for product development, manufacturing and outsourcing.

Daniel Bellm

Daniel Bellm is Research Associate at the chair of production management of the University of St.Gallen and as group coordinator responsible for the topic “Operational Excellence – Pharma”. His research focus is the management of operational excellence programs and complexity management. He is currently working on his PhD-thesis.

Daniel graduated in Business Engineering (Dipl.-Wi.-Ing.) at the Karlsruhe Institute of Technology (former University of Karlsruhe (TH), Germany). During his studies, Daniel worked at the Porsche AG (Germany), MTU Friedrichshafen (Germany), Porsche Asia Pacific Pte. Ltd. (Singapore), and Volkswagen Consulting (Germany).

Jürgen Werani

Jürgen Werani was born in Vienna, Austria, in 1951. He is a citizen of Switzerland. From 1971 until 1976, he studied pharmacy at the University of Graz, Austria. He received his doctorate in natural sciences in 1978. In 1998, he obtained a degree in Business Administration at the University of St.Gallen. In 2008, he received his Lean Expert qualification from the Lean Management Institute Germany. Between 1979 and 1995, Dr. Werani held a number of leading positions in pharmaceutical manufacturing at Sandoz Pharma AG in Basel, Switzerland. There he finally took on the role of Head of Solids Production. In 1995, he transferred to Warner Lambert Company where he became Managing Director of the Gödecke AG Freiburg plant. In 1998, he joined Gödecke AG’s Board of Management. From 2000 onwards, he was member of the Board of Management of Pfizer Germany GmbH. From 2003 to 2008, Dr. Werani was responsible for the implementation of the Operational Excellence Program in Europe which included its deployment to a total of 15 sites. Since 2008, he has been member of the Managing Board of Schuh & Co. Complexity Management AG in St.Gallen,
Switzerland.

Dr. Jürgen Werani has gained broad experience in the field of Operational Excellence and Lean Thinking in the pharmaceutical industry as well as in state-of-the-art methods of corporate management and leadership. He is the author and co-author of reference books on these subjects, wrote numerous publications and is a sought-after speaker at congresses and seminars on corporate change management. During his time at Pfizer Freiburg, Dr. Werani introduced the principles of Lean
Manufacturing on a broad scale, thus helping to turn the site into a leading Lean Manufacturing production site in the pharmaceutical industry. Since 2008 he has been leading several projects in different companies addressing Operational Excellence, Cultural Change and Leadership Development programs. He also acts as a mentor and coach for Executives and operational
leaders.

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Minggu, 24 November 2013

[G573.Ebook] Download Ebook Critical Care Nursing Made Incredibly Easy! (Incredibly Easy! Series®), by Lippincott

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This comprehensive reference�takes the Incredibly Easy approach to one of the most demanding and complex areas of nursing. Covering all aspects of critical care and updated to reflect current evidence-based nursing practice, this new edition offers coverage of moderate sedation and perianesthesia management, updated ACLS and code management, information on rapid response teams, and a new “Handle With Care” icon to identify concerns and actions relating to elderly, pediatric and bariatric patients.�It also includes a quick reference comparing the types of shock, as well as access to online case studies to improve critical thinking skills, an NCLEX tutorial, test-taking strategies, and over 1,000 NCLEX-style questions. ��

Sales Rank: #183735 in Books
Brand: Brand: Lippincott Williams Wilkins
Published on: 2011-10-03
Original language: English
Number of items: 1
Dimensions: 9.00" h x 7.00" w x 1.75" l, 2.73 pounds
Binding: Paperback
736 pages

Features

Used Book in Good Condition

Most helpful customer reviews

5 of 5 people found the following review helpful.
Life-saver!!!
By Amazon Customer
this book has been a life-saver for school and understanding if bullet-point or normal terms what a nurse should be looking for using equipment, taking care of a patient with a certain condition and even just understanding pathophysiology without all the fluff and confusion. Do yourself a favor a buy the book!!! Made me feel like I could really achieve my course instead of feeling like a deer in headlights

9 of 9 people found the following review helpful.
Helpful
By cwgirl197
This is an awesome reference. It is simple to understand and is useful for studying for the CCRN exam as well.

1 of 1 people found the following review helpful.
Happy Nurse!
By IAHAWKS38
New nurse (to the ICU) - I came from Oncology. ICU is a whole different learning curve. I felt this gave a well explained overview of the ICU life. (Obviously you will see TONS of different diagnosis, s/s, and may need to go WAY in depth on some topics) This will get you the fundamentals as well as common things to look for. It is an AMAZING reference so far. Love the different diagrams, tables, pictures, lay outs.

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Selasa, 19 November 2013

[F842.Ebook] PDF Ebook The Stranger 2, by Chance Christopher, Bella Liddell

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****The Stranger 3 is now live****
http://www.amazon.com/gp/product/B01B8M18J0?*Version*=1&*entries*=0

Three months after one night with THE STRANGER rocked Mikah’s world, a chance encounter at work leaves Mikah feeling confused and humiliated. Then, late at night, there’s a knock on his door…

Will Mikah learn more about the gorgeous, mysterious man with whom he keeps falling into bed? And if he does, is he ready to handle the truth? Find out in THE STRANGER 2, the second installment of The Stranger series!

Sales Rank: #63234 in eBooks
Published on: 2016-01-12
Released on: 2016-01-12
Format: Kindle eBook

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2 of 2 people found the following review helpful.
The Stranger is back!
By Tenesha James
The Stranger 2 gives you a little more insight into who the characters are. You get to see Mikah working at his job as a waiter for a high end restaurant while also learning a little more details about the stranger. This one ends with a cliffhanger so be prepared!

1 of 1 people found the following review helpful.
Love this story
By Margie E. Jones
It is interesting that this stranger keeps popping up into Mikah's life. I hope more is coming since I love this couple. I hope to find out who this stranger is and see how far things go.

0 of 0 people found the following review helpful.
What is it about a name that changes a total stranger into a close acquaintance?
By FORMER Kindle Customer
And then a close friend, while we do not even use the name of our closest friends. A name is very important in establishing the commonality in our lives and others to build the tight network of mutual thoughts and feelings. It is devoid of permanence and emotional attachments in most cases, but may assist the basis of contact. The line of separation between people is often blurred or suppressed. Turmoil disrupts communications and shreds all emotions not currently involved at the moment. This series slowly reveals the lack of introduction as a means to entice and subdue physical contact while not recognizing the emotional turmoil linking the people.
This book provides some insight towards dealing with people.

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[X377.Ebook] Free PDF Sacre Bleu: A Comedy d'Art, by Christopher Moore

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“Christopher Moore is a very sick man, in the very best sense of that word.”
—Carl Hiassen

“[Moore’s novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture.”
—Washington Post

“If there’s a funnier writer out there, step forward.”
—Playboy

Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacr� Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacr� Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper� Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

Sales Rank: #172986 in Books
Brand: Brand: William Morrow Paperbacks
Published on: 2012-10-09
Released on: 2012-10-09
Original language: English
Number of items: 1
Dimensions: 8.00" h x .69" w x 5.31" l, .77 pounds
Binding: Paperback
432 pages

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Used Book in Good Condition

Amazon.com Review

Amazon Exclusive: Christopher Moore on Writing Sacre Bleu

I suppose it started when I learned the circumstances of the suicide of Vincent van Gogh; how he had finished a painting, then walked into a corn field and shot himself, and not in the manner one thinks of a suicide. He shot himself in the abdomen, then walked over a mile on a rough trail through the woods above the village of Auvers, France, to the home of his friend, Doctor Gachet, for help. It seemed clear to me that this was not the behavior of a suicidal man. (Particularly when you see how well he was painting at the time.) Vincent had been murdered, and for some reason, I guess from looking at his paintings, I thought that the color blue might be a clue to the circumstances of his murder.

So I decided to write a novel about the color blue.

When it first occurred to me, I had no idea what a can of paint of I was opening. I’ve written historical novels before, but I’d always picked periods and stories that had huge blank spots in them, spots that I could fill in with my story. But I was about to write about the period in which the French Impressionists rose to prominence, and unlike the life of Jesus or the court of King Lear, where very little was known about what actually happened, I could pretty much look up what each of the Impressionists had for breakfast every morning. It was a curse of riches. There was more material than I could ever cover in a single story, unless I found a way to constrain it.

So, to pursue my murder mystery, my tale of an art movement, my portrayal of the Bell Epoch in Paris, I had to find a point of view that would help me cover the time period, from 1863 to 1891 and beyond, so I invented, Lucien Lessard, the baker of Montmartre, Paris—the baker who wants to be a painter, whose father was a patron of Monet, Renoir, and Cezanne when they were at their poorest, and who attended art school with Vincent van Gogh and his best friend, Henri Toulouse-Lautrec. Lucien and Henri would be my detectives, and with them, we would discover not only Vincent’s killer, but the secret and magic behind the mysterious shade of “sacred blue” (Sacr� Bleu), and how it had inspired and haunted artists all through history.

Four years after the notion first occurred to me, I turned in the manuscript to Sacr� Bleu, and I think it is what I had hoped it could be: a mystery, a fantasy, a romance, a comedy, a history, and an appreciation. I didn’t have an art education going into this book, but I certainly do coming out, and I hope that the reader will painlessly and joyfully, share some of the enthusiasm I have for the subject.

Or, as it says in the prelude:

“Blue is glory and power, a wave, a particle, a vibration, a resonance, a spirit, a passion, a memory, a vanity, a metaphor, a dream.

Blue is a simile.

Blue, she is like a woman.”

Review
“I can’t emphasize enough how funny BITE ME is.” (Bookreporter.com)

“[H]ilarious, educational, and original. . . . [I]t is difficult to put the book down, for there are astonishing new developments on every page.” (BookPage)

“A page-turner…. Your ‘Lear’ can be rusty or completely unread to appreciate this new perspective on the Shakespearean tragedy. That is if you enjoy a whole lot of silly behind the scenes of your tragedies.” (Valdosta Times (Georgia) on FOOL)

“If there’s a funnier writer out there, step forward.” (Playboy)

“[W]all-to-wall, farcical fornicating and fighting…a jolly good time can be had.” (Booklist on FOOL)

“A laugh-a-page novel that’s raunchy and irreverent.” (USA Today)

“A raunchy slapstick comedy of young vampires in love . . . Moore is in top form, and this reviewer laughed all the way through this page-turner. Enthusiastically recommended.” (Library Journal)

“A vampire comedy that’s witty, bright and funny.” (People)

“An instant classic . . . terrific, funny and poignant. (Rocky Mountain News)

“Funny, literate, smart and sexy, all at once!” (Jeff Lindsay, author of the Dexter series, on FOOL)

“In transforming “King Lear” into a potty-mouthed jape, Moore is up to more than thumbing his nose at a masterpiece. His version of Shakespeare’s Fool, who accompanies Lear on his slide from paternal arrogance to spiritual desolation in the original text, simultaneously honors and imaginatively enriches the character.” (San Francisco Chronicle on FOOL)

“It’s hard to resist so gleeful a tale of murder, witchcraft, treason, maiming, and spanking. . . . Moore’s deft ear for dialogue keeps the pages turning . . . Fool is a wickedly good time.” (Christian Science Monitor on FOOL)

“Less may be more, but it isn’t Moore. Wretched excess doth have power to charm, and there are great reeking oodles of it strewn throughout these irreverent pages.” (Kirkus Reviews on FOOL)

“Moore has produced eight books that deftly blend surreal, occult and even science-fiction doings with laugh-out-loud satire of contemporary culture. Powered by engines of the abnormal and unlikely, his tales feature eccentric lowlifes who find their desperate existences hilariously remade by intrusions from other spheres.” (Washington Post Book World)

“Moore is a very clever boy when it comes to words. There are good chuckles to be had in this tale. …Whether you need to read the original King Lear before you read Moore’s Fool is debatable. Seems a fool’s errand to us. Just enjoy.” (USA Today on FOOL)

“Moore turns things on their head with an edgy 21st-century perspective that makes the story line as sharp, surly and slick as a game of Grand Theft Auto… It’s a manic, masterly mix-winning, wild and something today’s groundlings will applaud.” (Publishers Weekly on FOOL)

“Often funny, sometimes hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters and ministerial students of the kind who come to our doorstep on Saturday mornings.” (Dallas Morning News on FOOL)

“Mingling comedy and mystery, Moore crafts an intricate story that teases the reader with numerous twists and bawdy humor.…[T]his is an imaginative and amusing look at the Impressionist era, and Moore’s prose is fresh and engaging.” (Booklist on SACRE BLEU)

“Art history is playfully--and perilously--rewrtitten in this ambitious novel....fans of Moore’s mix of wit and slapstick will be pleased.” (Publishers Weekly on SACRE BLEU)

“Moore’s humor is, as ever, sweetly juvenile, but his arty comedy also captures the courage and rebellion of the Impressionists with an exultant joie de vivre.” (Kirkus Reviews on SACRE BLEU)

“[A]surprisingly complex novel full of love, death, art, and mystery....Don’t let Moore’s quirky characters and bawdy language fool you. His writing has depth, and his peculiar take on the impressionists will reel you in....this is a worthy read. ” (Library Journal (starred review) on SACRE BLEU)

“[A] marvelous, tongue-in-cheek, mythical explanation of the artistic urge... brought vividly to life.” (The Oregonian (Portland) on SACRE BLEU)

“Can Moore find the funny in gloomy Van Gogh? If anybody can-can, count on Moore.” (USA Today on SACRE BLEU)

“Sacr� Bleu is a consistently compelling blend of love story, mystery, and ‘what if?’ art history lesson.” (Entertainment Weekly on SACRE BLEU)

“Captivating . . . Those familiar with Moore’s work will love this rich story, which is full of gleefully anachronistic behavior and language--often pun-based--coming from artists we ordinarily revere.” (Houston Chronicle on SACRE BLEU)

“[A] delightfully ribald romp.” (Washington Post Book World on Sacre Bleu)

“The true joy in Sacr� Bleu stems from Moore’s writing....His writing contains the rare combination of poetry and humor; where one moment you find yourself rereading a passage for its sublime imagery, and the next, you are grinning over a well-placed wisecrack....an excellent novel.” (Dallas News on Sacre Bleu)

“[A]nother exceedingly bizarre, often raucous, and consistently delightful journey into the sweetly demented mind of novelist Christopher Moore.” (Philadelphia Inquirer on SACRE BLEU)

“Sacre Bleu is big fun.” (St. Paul Pioneer Press on SACRE BLEU)

“Christopher Moore’s new novel blends diligently researched art history smoothly with his fevered, fiendish imagination.” (Milwaukee Journal Sentinel on SACRE BLEU)

From the Back Cover

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he?

Vincent’s friends, baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec, have their doubts. Now they’re determined to answer the questions surrounding van Gogh’s untimely death—like who was the crooked little “color man” Vincent claimed was stalking him across France . . . and why had the painter recently become deathly afraid of a certain shade of blue? Ooh la la, quelle surprise, and zut alors, what follows is a surreal odyssey and brothel-crawl deep into the art world of late-nineteenth-century Paris, as the one, the only, Christopher Moore cooks up a delectable confection of intrigue, passion, and art history . . . with cancan girls, baguettes, and fine French cognac thrown in for good measure.

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221 of 232 people found the following review helpful.
Dark little fairy tale of the color blue
By Maine Colonial
That's how Christopher Moore characterizes Sacr� Bleu. It's also a mystery, a comedy and a dizzying, dazzling trip through the art world of fin-de-siecle Paris.

I read somewhere that every single one of Christopher Moore's books has been optioned but not one has ever made it to film. I think it must be because producers eventually realize that it's just too much of a challenge to translate the sheer lunacy and demented sweetness of Moore's books to the screen.

The book begins on the day of Vincent Van Gogh's death in Auvers, a village near Paris. Vincent has gone to a crossroads to paint. The history is that Van Gogh there shot himself, then walked a mile to the home of his doctor to seek treatment. Moore wondered if it made any sense that an artist at the height of his powers, even one as tormented as Van Gogh, would shoot himself at that point. And then, why would he walk a mile to his doctor's place rather than just lie down and die? Moore appoints baker-turned-painter Lucien Lessard, and famed painter and libertine Henri Toulouse-Lautrec as his alter-ego detectives to pursue the answer to this puzzle. The pursuit involves Renoir, Manet, Monet, Whistler, Pissarro, Gaugin, Seurat, a menacing character called the Colorman, the artists' muses, a few side trips through time and space, and lots and lots about the color blue.

It's been a long time since I read a book in one afternoon, but once I started reading, I couldn't stop. Now, here I sit with my eyes burning and my head filled with whirling images of the adventures of the naive young Lucien and his usually drunk and lubricious but always endearing friend, Toulouse-Lautrec. In the Afterword, Moore writes, "I know what you're thinking: 'Well thanks loads, Chris, now you've ruined art for everyone.'" Far from it. He's definitely made it a whole lot weirder, but isn't that what you're looking for from one of his books?

Moore always travels to the settings of his books before he writes and, in this case, that means France, mainly Paris. If you visit his blog. he has included a chapter guide where, as he says, "you'll find some photographs, a little background on the geography, history, and art featured in the book, as well as observations and musing I had while researching and writing the book that just wouldn't fit in the story, but I hope will give some perspective on it." Before, during or after you read the book, I highly recommend a visit to the blog and the chapter guide. Among many other items of interest---and more extensive attempts to ruin art for everyone---there are photographs of Auvers, the village where Van Gogh was living at the end of his life, including the real-life settings of several Van Gogh paintings, juxtaposed with the paintings themselves.

In addition to being a flat-out joyride of a novel, this is a beautifully produced book, with typefaces evocative of its 19th century Parisian setting and reproductions of artworks of Toulouse-Lautrec, Van Gogh and many other luminaries of the period. Recommended.

108 of 114 people found the following review helpful.
Irreverent Art History
By Jennifer
Set primarily in Montmartre, Paris in the 1890s, this is a book about artists, muses and the color blue. Of course, being written by Christopher Moore, you can expect everything to be skewed to the absurd, a bit bawdy, irreverent and playful. Moore inhabits his book with figures real (Henri Toulouse-Lautrec, Pissarro, Van Gogh, Monet, Manet and Renoir) and unreal (Bleu--a body-jumping muse, the Colorman--a gnome who can create the otherwordly shade of blue known as Scare Bleu, and Lucien Lessard, a baker/painter who is obsessed with Juliette).

While reading, I was always curious about what was real and what wasn't. Perhaps the most interesting part of the book for me was Moore's Afterword ("So, Now You've Ruined Art), which provided a breakdown of what was based on fact and what wasn't. Surprisingly, quite a bit of "realness" snuck into a book that is quite fanciful and absurd. It was interesting to learn that Monet really did paint his wife Camille on her deathbed, the puzzling circumstances of Vincent Van Gogh's death, and the ungodly amount of artists who died of syphilis. Another aspect of the book that I enjoyed were the images of the real paintings that are discussed and play a role in the book. I thought it was an ingenious way to make art history come alive in a way that would even seem palatable to ... say ... teenage boys.

However, I just didn't fall in love with the book (despite my deep and abiding adoration of several of Moore's other books). Part of it was the goofy sophomoric humor that runs throughout the book (I guess boobie and penis jokes just don't do it for me) and the other part was the fractured nature of the tale that just didn't draw me in. The real problem, perhaps, is that I just didn't care about any of the characters too much so I never got all that invested in the book or what was happening. Still, if you're a fan of Moore, it is worth checking out even if it fell a bit flat and wasn't his best work. (If Amazon would allow me to give half stars, I would rate it a solid 3.5 out of 5.)

29 of 31 people found the following review helpful.
"Art isn't easy"
By Susan Tunis
The quote above isn't from Christopher Moore's Sacr� Bleu, but is rather from Stephen Sondheim's "Sunday in the Park with George," a musical about the painter Georges Seurat. These lyrics were like a soundtrack in my head as I read Moore's latest:

Piece by piece-
Only way to make a work of art.
Every moment makes a contribution,
Every little detail plays a part.
Having just a vision's no solution,
Everything depends on execution;
Putting it together-
That's what counts!

Sondheim could as easily have been speaking about writing--and let's face it, he was. Christopher Moore's latest is indeed a work of art, in more ways than one. The first thing the reader will notice is the extraordinary look and design of this gorgeous novel. It's something so rarely seen these days, but in the not too distant past, bookbinding was its own art form. Kudos to HarperCollins for making this book so special! It's covered in a metallic blue half dust jacket that allows the exotic, erotic painting printed right on the book's cover to peek through. The endpapers feature a vintage map of Paris. The book has a lovely layout, and the text is--yes--printed in a rich indigo blue. And within, there are full color reproductions of dozens of paintings by the Impressionist masters who are the characters of this novel. It's odd to spend this much time discussing the outside of a book, but that's how fabulous this one is. And I have heard that only the first edition hardback will be printed in full color, so I would suggest grabbing a copy fast.

As for the story, that's a little more difficult to summarize this time around. For past Moore novels, I could say: It was about vampires, a demon, a jinn, a sea monster that feeds on emotion, a man who walks on water. Like those previous books, this one features an element of the fantastic, but I absolutely cannot explain that element in a word, a phrase, or quite possibly a paragraph. It's different, it took me quite a while to figure out what was going on, and I'm not going to spoil that ride for you.

What I can talk about is the world against which Moore's over-the-top tale is set, and that is the world of the great French Impressionist painters. It opens with the death of Vincent Van Gogh in Auvers, France in 1890. Long assumed to have been suicide, Moore posits a murder. From that opening, the story moves to Paris, and takes up with Vincent's shocked peers. The news is told to baker Lucien Lessard, the struggling artist at the heart of this tale, and one of the very few fictional characters in the book. Lucien rushes out to give the sad news to his pal Henri. You may be familiar with him as Count Henri-Marie-Raymond de Toulouse-Lautrec-Monfa, or just Toulouse-Lautrec, as he is generally known today.

Henri is the ideal sidekick for a Moore novel. As outrageously as Moore's characters tend to behave, one gets the impression that Henri is depicted quite true to character. And he is wildly entertaining! The truth is, I didn't need the somewhat odd plot about the color blue and the menacing "Colorman." I could have spent this entire novel eavesdropping on Lucien, Henri, Monet, Manet, Pissarro, Gauguin, Renoir--yes, Seurat--and so many more, as they went about creating and discussing art. It was riveting. As with Moore's Shakespeare novel, Fool, this tale clearly springs from the author's love and appreciation of their work. And he's done his homework; reading Sacr� Bleu is like the most awesome art history lesson ever.

If that's not enough for you, Moore has included a terrific Afterward entitled "So, Now You've Ruined Art" which answers "...what, among this big, blue lie, is true? What really happened?" And it wasn't enough for me, actually. I was so entranced by Moore's artists that I immediately dove into a non-fiction work after reading Sacr� Bleu. It was all I could do to restrain myself from hopping on the first flight to Paris. That's how this book affected me.

I realize I haven't actually said much about what happens in the novel. My advice is just read and go where the story takes you. It's funny and profane and over-the-top. It's Christopher Moore. Art ISN'T easy, and I don't know another writer who can do what Moore does. As Mr. Sondheim said, everything depends on execution. Sacr� Bleu is an homage to art from a true artist in his own right.

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Senin, 18 November 2013

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Sales Rank: #15222090 in Books
Published on: 2001
Binding: Paperback

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Minggu, 17 November 2013

[N956.Ebook] Download PDF OS X Server 5.0 Essentials - Apple Pro Training Series: Using and Supporting OS X Server on El Capitan (3rd Edition), by Arek Dreyer, Ben

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Lesson files available for download

Sales Rank: #115030 in Books
Published on: 2016-03-04
Original language: English
Number of items: 1
Dimensions: 8.70" h x 1.60" w x 7.30" l, .0 pounds
Binding: Paperback
720 pages

About the Author

Arek Dreyer (Chicago, IL) has been an Apple Certified Trainer since 2002. President of Dreyer Network Consultants Inc. in Chicago, Arek delivers courses and provides training around the world, both in the classroom and at events like the MacIT� Conference and European Macintosh System Administrators Meetings. Arek provides consulting, troubleshooting, and integration services for customers that use iOS devices and Macs in complicated environments.

Ben Greisler (Exton, PA) is the owner and technical lead of Kadimac Corp., a firm specializing in the integration of iOS and OS X into enterprise IT settings. Ben is an Apple Certified Trainer, author, consultant, and lecturer who has served on the Advisory Councils of the Apple Consultants Network and MacIT� Conference. Together Arek and Ben have collaborated to write several titles in the Apple Pro Training Series including OS X Server Essentials 10.9.

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0 of 0 people found the following review helpful.
Five Stars
By J. L. Manning III
This book helped save my job. Thanks Essentials!

0 of 0 people found the following review helpful.
A Must Have to get Certify
By Lawrence A. Malang
Great book.

0 of 1 people found the following review helpful.
Solid training, nothing outside the box
By pgb0517
This book does what Apple intends it to do, I guess. It explains everything server does from a strictly Apple training point of view. But I was disappointed that it's not loaded with advanced tips and tricks. For that, you will still have to use the Internet.

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Sabtu, 16 November 2013

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"This monumental work has now become... the indispensable tool of all folk narrative scholars." ―Southern Folklore Quarterly

"A work of this kind can never be quite complete, but in this work Stith Thompson has approached perfection." ―Volkskunde

"An invaluable aid to students and scholars... " ―Reference & Research Book News

Indiana University Press, with the generous support of the L. J. and Mary C. Skaggs Foundation, is pleased to announce the republication of this folklore classic, in honor of the centenary of the American Folklore Society.

Sales Rank: #2271661 in Books
Published on: 1960-01-22
Released on: 1960-01-22
Original language: English
Number of items: 1
Dimensions: 9.18" h x 1.45" w x 6.14" l, 1.99 pounds
Binding: Hardcover
516 pages

Review
"This monumental work has now become ... the indispensable tool of all folk narrative scholars." Southern Folklore Quarterly "A work of this kind can never be quite complete, but in this work Stith Thompson has approached perfection." Volkskunde "An invaluable aid to students and scholars ... " Reference & Research Book News

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Minggu, 10 November 2013

[O940.Ebook] PDF Ebook Asimov's Chronology of the World: The History of the World From the Big Bang to Modern Times, by Isaac Asimov

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From the world's greatest science writer, a history of the world from the Big Bang to 1945, told in irresistible short takes and highlighted by a timeline.

Sales Rank: #152629 in Books
Published on: 1991-11-06
Released on: 1991-11-06
Original language: English
Number of items: 1
Dimensions: 9.25" h x 2.05" w x 7.38" l,
Binding: Hardcover
704 pages

From Library Journal
An author who has written 465 books unquestionably knows the craft well, and here Asimov tackles nothing less than a history of the Earth from the creation of the universe to 1945. The format is similar to Asimov's Chronology of Science and Discovery ( LJ 10/1/89): blocks of time are isolated and their events chronicled, first with theories in prehistory and then through historical records. One finishes the book feeling that history has been more the march of armies than of enlightenment. Asimov's style is crisp, concise, and devoid of jargon, and he is not above interjecting an occasional ironic or strongly felt opinion when a human foible invites one. Some, perhaps most, concepts and events are treated in an overly simplified manner, but that is unavoidable in a book that attempts to cover 15 billion years of history. Events are conveyed in broad terms, and proportionately few dates are included to interrupt the narrative, making this book as useful in a circulating collection as in reference. Its use as a ready reference tool, either to answer basic questions or as a starting point for more detailed research, will depend largely on the thoroughness of the index, unavailable for review. Those wishing for a more concise historical chronology might purchase Bernard Grun's Timetables of History (S. & S., 1982. rev. ed.); though an older title, it covers a more manageable period, from 5000 B.C. to 1978. For public, school, and university libraries.
- James Moffet, Baldwin P.L., Birmingham, Mich.
Copyright 1991 Reed Business Information, Inc.

About the Author
To list Isaac Asimov's honors, as to list his books, would be excessive. Let it simply be noted that Isaac Asimov was the most famous, most honored, most widely read, and most beloved science fiction author of all time. In his five decades as an author, he wrote more than four hundred books, won every award his readers and colleagues could contrive to give him, and provided pleasure and insight to millions. He died in 1992, still at work.

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85 of 85 people found the following review helpful.
A Must-Have
By Nathan
If you have any interest at all in the world you live in, you should have this book. Basically chronicling the complete history of the world from its creation until 1945, it is an amazing, concise, helpful, fun quick referance.
If you are reading a historical novel and want to check how accurate it is, this book'll help you. Want to know what else was going on in the world during this war or that revolution? Just open 'er up!
I have this book handy at almost all times when I am reading. It is compartmentalized into sections concerning individual countries or groups, not just a big mishmash of everything going on all at once, and it reads very easily, not like a school history textbook. It includes a nifty "outline" timeline at the beginning, too, so you can just skim it over without reading every word.
An amazingly hefty, helpful, well researched book that no one should be without.

50 of 51 people found the following review helpful.
Essential
By Calion
Asimov's Chronology of the World is a superb reference work. Although not really (and not meant to be) a coherent narrative, it is highly readable and absolutely essential to any historical research. It is useful as a reference tool in almost any historical context; if you're not sure when something happened, or exactly what happened, consult the Chronology. If it was a major happening, it's almost certain to be there, and realtively easy to find.
Asimov does sacrifice depth for breadth in this work; many more minor events are not covered. Also, if you plan to read this work cover to cover (I did, and it was very well worth the effort--doing so gives a broad perspective on history very difficult to find elsewhere), you need a good historical atlas on hand to understand how events unfold.
The only complaint I have with this work is that Asimov did not live long enough to write the sequel, chronologizing the events from 1945-2000. If anyone has found a good book to fill this gap, please let me know!
In sum, Asimov's Chronology is the essential one-volume reference to world history. No home library should be without it.

29 of 29 people found the following review helpful.
One of Asimov's best non-fiction works
By David N. Reiss
This is probably Isaac Asimov's best non-fiction history book. It tells the story of history from a simple prespective of what happened when. Lots of modern historians have gotten away from that simple approach. It helps that Asimov is not a historian in the traditional academic way. He was just a person who knew a lot about many things, one of them being history.
Coupled with his work about Science and Discovery, it makes for a good reference work that is also a good read.

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