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Homegoing: A Novel, by Yaa Gyasi
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A riveting, kaleidoscopic debut novel and the beginning of a major career: a novel about race, history, ancestry, love, and time that traces the descendants of two sisters torn apart in 18th-century Africa across 300 years in Ghana and America.
Two half sisters, Effia and Esi, unknown to each other, are born into different villages in 18th-century Ghana. Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the castle's women's dungeon and then shipped off on a boat bound for America, will be sold into slavery.
Stretching from the wars of Ghana to slavery and the Civil War in America, from the coal mines in the American South to the Great Migration to 20th-century Harlem, Yaa Gyasi's novel moves through histories and geographies and captures - with outstanding economy and force - the troubled spirit of our own nation. She has written a modern masterpiece.
- Sales Rank: #691 in Audible
- Published on: 2016-06-07
- Released on: 2016-06-07
- Format: Unabridged
- Original language: English
- Running time: 790 minutes
Most helpful customer reviews
195 of 205 people found the following review helpful.
Starts in fire, ends in water; a story of the horrors we inflict and the promise of redemption. Astonishing.
By RobynJC
Homegoing begins in fire, as a house slave sets herself free by burning her master's African village to the ground, and ends in the ocean, as two of her two descendants - from two completely different lineages - find, finally, perhaps, a sort of reconciliation. In between, Ms. Gyasi traces the entire history of Africa and African-Americans. For the slave, Maame, had two daughters: the daughter of her captor, who she left behind in the burning village; and the daughter of her real husband. Effia and Esi grow up in warring villages, each only a distant rumor to the other, and they take wildly different paths.
Effia is sold to a white British lord, living in Africa to negotiate the slave trade, and she spurs a line of descendants who grapple with the impact of the slave trade within Africa. The story of how slavery began in Africa is not one I knew well, and it was heartbreaking and jarring, to learn how the different tribes stalked and captured each other, selling rival sons and daughters and wives to the British, fueling the trade.
Esi is herself captured, and kept in the dungeon of the Castle where her sister lives as the "wench" wife of a British trader, until she is sent through the Middle Passage to America, into slavery. The story of Esi's life in the dungeon, waiting to be shipped she knows not where, like every bit of the book, is so detailed and rich and true that it is astonishing to realize the author is only 26 years old. This book could easily be a lifetime achievement, and instead it is just the beginning of what I imagine will be an amazing body of work.
Homegoing has many, many, many strengths, and perhaps just one weakness. The strengths are found in the story, and in the writing. It is a glory of riches. From the wars between the Asante and Esperante tribes in Africa in the 1700s to the Middle Passage to the slave plantations to life as a freeman in the North to the villages of Africa in the 1800s, to Harlem, through to the impact of the prison culture and drug culture of modern day America, the scope of this book is astonishing. And it is only 300 pages long.
My one wish with the book is that it started to feel a little bit that I was getting a glimpse of a life, when I wanted more. In some ways, the book is a series of interlocking short stories: every chapter is the story of one character, representing that generation There are 14 chapters, I think; seven generations, and Esi, Effia and each of their descendants get one story per generation. So we see Esi in the Dungeon, and on the Middle Passage, but then we do not see her again. We hear from her daughter, Ness, that Esi in America was known as "Frownie" because she never smiled, and that when Ness was born, there was a strange sound heard, which some suspect was the sound of Esi laughing because it was never heard before or since. I cared for Esi, and wished we had heard more of her story after she reached America. Similarly, Ness herself represents the story of slavery, but we only have about 20 pages with her. Those pages are wisely used - I fell in love with her and with Sam, her proud African husband - but again, it is gone so quickly. It was hard not to feel some frustration; these characters and stories started to feel almost wasted, so much richness that we just didn't get a chance to explore.
I came to understand that Ms. Gyasi is telling the story not of one person, or even one family, but instead, tracing a much larger theme, and arc, of the cost of cruelty, and the redeeming power of sacrificial love. The story begins with a slave escaping (an African slave escaping from an African village), and ends hundreds of years later, as two of that slave's descendants return to the village, and to the ocean. It is a promise of healing through the most horrible crimes, for which the most horrible price is paid. On some level, it is so much more powerful than yet another story about a family. And yet - I cared so much for these people, I wish I had known them a bit more. But maybe that is the point as well.
53 of 58 people found the following review helpful.
Read it for the history
By Helen L. Worcester
I am giving this book 3 1/2 stars. This is the 3rd book I have read recently which spans several centuries and many generations of more than one family tree. Books written in this vein have too many characters to even keep track of or remember, let alone to get really involved with. There are many interesting stories and characters who would have been enough for one whole book dedicated to their story alone, but as soon as I got interested in their story, the author was off to a different character and place. I find I am just not able to get swept away by this style of multigenerational historical writing.
As others have mentioned, the first half or 2/3rds of the book are the most engaging. The rest of it pales in comparison.
This is written well enough and the subject matter is relevant and important but I think it was an overly ambitious concept that did not quite gel. Still, in all, there were enough good stories and enough important history that the book is worth reading for that alone.
My favorite quote from Homegoing is “We believe the one who has the power. He is the one who gets to write the story. So, when you study history, you must always ask yourself, whose story am I missing? Whose voice was suppressed so that this voice could come forth?”
In this book Yaa Gyasi is telling her story of the history of her people, and for this, I highly applaud her. And I do recommend this book.
25 of 27 people found the following review helpful.
Stunner
By Robert J. Bauhs
As a white man, I have been told that I am privileged. This book brings it home. I'm so glad that I read it. The stories of the generations are stunning in their detail and emotions. Wonderful read and education.
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